Saturday, May 24, 2014

LET SLEEPING DEMONS LIE

Two weeks ago, I was doing ninety in the fast lane on the 405 Freeway in Los Angeles, when my car died on me. 

By some miracle, amidst heavy night-time traffic, I managed to get over to the shoulder without causing a pile-up.

Have I awakened things I don't even believe exist?

As of late, I have been taking meeting concerning THE BLACK ALBUM. Discussing new possibilities for a matter I thought was dead and buried. 

Is this re-ignition? Don't hit the switch.

A producer, director, and financier are interest in THE BLACK ALBUM... and my story about it.

Keep your fucking mouth shut!

The car event happened at a time when I was deep in the midst of pulling scenes from the movie.

The scariest movie you'll never see!

A casting director who is currently producing a slate of indie films, asked to see some of the movie. Once I started pulling scenes, it was like I was adicted. I couldn't stop until I pulled them all. FIFTY SCENES. Eighty-seven minutes worth of a movie.

You're playing with fire.

Everything that happened to me and the other people involved in the film is just coincidence, right? Right? An urban legend is just that, an urban legend. Right?

Let sleeping demons lie.

Awakening the curse.
Images courtesy of "The Black Album"



NEW CHAPTER OF THE BLACK ALBUM ON WATTPAD



I really love the concept of Wattpad. Maybe that's because I'm a writer. 

I love getting my writing out there to new audiences. I simply love putting it out there into the universe. Or the Verse as they used to say on the old TV show "Firefly" (yes I'm an undercover browncoat).

Wattpad is the one place where I can go that's not about selling or marketing or somebody trying to tell me how I should change my vision. 

It's about having something to say and expressing it. 

I used to write short stories in addition to writing screenplays, but stopped because there was no real venue for them. Now there is. You can write a short story or poem and just throw it out into the heavens without a drawn out process. It's great for spontaneous combustion creativity or machine gun inspiration.

The creative meetings I take here in Hollywood are almost never about creativity. Most of the time they're far from it.

Wattpad is about writers getting back to the business of being artists.

Thanks, Watty!









Brain Eaters Ball!
Images courtesy of "The Black Album."

Sunday, May 11, 2014

THE BLACK ALBUM ON WATTPAD

The book is on Wattpad as an ongoing serial. 
 
I released the FOREWORD, PROLOGUE, and CHAPTER ONE and TWO the other day.
 
I will be releasing a new chapter every week.

Please check out and enjoy.

THANKS AMAZON AND GROUCHBAG

Hi all,


I have been so engrossed with editing my upcoming novel "SPOOK: Confessions of a Psychic Spy" and doing a rewrite of my TV pilot teleplay "DEATH DEFYER" (which there is now interest in), that I have totally neglected doing promotion for my first novel "THE BLACK ALBUM: A Hollywood Horror Story" (there just doesn't seem to be enough hours in the day).

However, Amazon is still doggedly promoting it. I received their promotional email this morning recommending my book. When I went to the sales page on Amazon, I found a new review on it. This is now my sixth FIVE STAR REVIEW.
What also makes this even sweeter is that the person who did the review, Grouchbag, is a ranked Amazon reviewer. I have to tell you, with a name like Grouchbag, I was a little hesitant to read the review. But I was happy I did.
Below is Grouchbag's reviewer:
"This book is everything a horror book should be. While I was reading it, I got a royal case of the creeps. Kenneth Holder is an excellent writer. I think it would be great if this book were made into a movie. I'd be one of the first to see it. Thank you Mr. Holder! I will be looking for more of your books."

Wow, writer's so rarely receive accolades. I have struggled as a writer for twenty years because I love writing so much. It has cost me a lot. To now finally bypass the gatekeepers of studio Hollywood and the publishing world, and go straight to the audience is truly one of the blessings of the Internet. 
I am honored by this review and thank Amazon and Grouchbag for their support. I plan to release many more novels through my newly founded publishing company Brooklyn Apache Press. 

I am going to dedicate this coming Friday to The Black Album. Indeed, it will be a Black Album Friday. I will do promotion, release excerpts from the novel and even attempt to put up another scene or two from the scariest movie you'll never see.

SINcerely yours,
Carlton Kenneth Holder
 
The Demon Jeremy rises.
Images courtesy of "The Black Album"
 
 
 
 
 

AMAZON'S PROMOTION OF THE BLACK ALBUM

Amazon.com customer,

Are you looking for something in our Literature & Fiction department? If so, you might be interested in these items.
 
 
 
 
Literature & Fiction
 
 
 
 
 
 
 
 
THE BLACK ALBUM: A Hollywood Horror Story
THE BLACK ALBUM: A Hollywood Horror Story
Carlton Kenneth Holder, Beauregard Freidkin
 
Price: $2.99
Learn more
 
Add to Wish List
 
 
 
 
 
Pohon Setan.
Pohon Setan.
Ben Brown, Sara Dean
 
Price: $0.99
Learn more
 
Add to Wish List
 
 
 
 
 
The Cold Room
The Cold Room
Jason LaVelle, Heather LaVelle
 
Price: $2.99
Learn more
 
Add to Wish List
 
 
 
 
 
Evil Origins: A Horror & Dark Fantasy Collection

THE FREAK KING LIVES

I'm really pleased with all the good comments and interest I've received regarding Beauregard Freidkin AKA the Freak King, who wrote both the foreword and prologue to my debut novel "THE BLACK ALBUM: A Hollywood Horror Story."
You'll be happy to know he has written the foreword for my upcoming novel "SPOOK: Confessions of a Psychic Spy." 
 
 In addition to that - hopefully before the end of 2014 - Beauregard Freidkin will be gracing the pages of his very own novel "MIDNITE REVIEW OF THE FREAK KING."

The Demon Jeremy drips blood.
Images courtesy of "The Black Album"

DIARY OF THE BLACK ALBUM #6

A FILMMAKER SET OUT TO MAKE A MOVIE. STRANGE THINGS HAPPENED.

October 5th


Everyone was really starting to get into the Halloween spirit on the film set. Since Halloween's my favorite holiday anyway - a whole month where I can watch horror movies and talk about them with everyone else without being labeled that guy who always talks about scary movies - I didn't need much prompting. Horror was in and I was at home. 

On location, in between scenes, we would play games like name your three favorite horror films. I would always sneak "Ed Wood" into my list even though it technically is not a horror film, but you've gotta love a movie about a guy who is obsessed with making bad horror films. 

Anyway, I'm detouring from my subject. 

It was night time and we were on the huge hill that ran along the side of my house. Houses were sprinkled around, then dense woods. On our shooting schedule for the night was the scene where the living dead emerge out of their graves in the backwoods bootleg cemetery LORD'S LANE.
One of our electric guys had a Gothic Marilyn Manson look and I intended to capitalize on it. He became my ZOMBIE NUMBER ONE. And all he had to do was let me bury him alive.
Now figuring out the logistics of how to bury someone alive without actually suffocating them, aren't as easy as they may seem. Since it was a pauper's grave site, there would be no coffin. Just a hole and a wooden cross.

Now I didn't want to cheat this with a funky camera angle and a series of shots. I wanted the audience to see him explode up out of the dirt all in one take. So, in order for our Zombie to breathe and not have his make-up ruined, we covered him with a thin plastic sheet. Then we buried him.

My FX man fogged up the surrounding woods with our trusty fog machine and then it was ACTION! We got the shot in the first take and I was quite happy... until my Zombie Number One keeled over and stopped breathing.

Apparently he had inhaled quite a bit of dirt. After a few minutes of retching, however, he was fine. 

It was all in a night's work.

TO BE CONTINUED
Zombie Number One
Images courtesy of "The Black Album"
















Saturday, May 10, 2014

DIARY OF THE BLACK ALBUM

Instead of Timeline Number Five, this will be:


DIARY OF THE BLACK ALBUM 
# 5


September 28th

That night myself and members of the cast and crew stayed at the large Strawberry Lodge, the mansion style home we elected to be the main location of the film. Our cast included the lead actresses' two daughters, her teenage brother and a couple of their friends.

At 3:00am, I woke up to the sound of screaming. Sharlene (the lead actress) and I ran downstairs, where the shouts had come from. We almost ran into one of Sharlene's daughters, Paulina. The girl looked scared. A few moments later, we found the rest of the kids. They said they had - literally - seen a ghost. The ghost of a little boy to be exact.

Sharlene and I, flashlight in hand, patrolled the downstairs, room by room. Although we saw nothing, we could feel something. I'm not superstitious. And, as much as I like to write about them, I do not believe in ghosts or other things that go bump in the night. However, the hairs were standing up on my arms.

Alone, on the back patio, I found evidence of the kids. A pizza box - I had ordered pizzas earlier - and the embers of a marijuana joint the kids had obviously been smoking. I did not tell their mother.
October 2nd

Sharlene and I return home to find an arrangement of white stones on our doorstep. It is a circle with a symbol inside the circle. I kick the rocks away, thinking the kids are pranking us. Something about it felt ancient, tribal.

October 3rd

The shoot has really begun. We are shooting sequences with the actor playing the Demon Jeremy at our house. He is our highest profile actor, so we are trying to shoot him out first. We keep losing house power and have to keep flipping the lights back on. 

At least thirty coyotes, on a small hill right behind our house begin howling. The sound is maddening, and frightening. 

I notice there is a full moon.

TO BE CONTINUED
 Satanic backward lyrics.
Images courtesy of "The Black Album"

REVIEWS FROM READERS

Below are some reviews from readers that appear on the Amazon page where my book is sold. Some of my friends have been getting on my case because they say I don't laud my accomplishments enough. Usually I'm too busy writing.
If you're bored this Holiday Season and feel like curling up by the fireplace with a good scare, read my book, inspired by true events. Thanks so much for all your support.


Please note that the cover is different for the ebook and the physical paperback.

I just wanted to post these reviews because they put a small on my face. And... tis the season to be jolly (or at least cheerful).

A DISTURBING DELIGHT 
(Five stars)

If you love any and all things creepy, then this is the book for YOU! The narrative is very well-constructed and leaves the reader wondering which parts of the story are true and which parts aren't, although with all the disturbing situations that arise in this novel, perhaps it's best we don't know...

The author writes in a breezy, easy-to-read manner making this novel one you hate to put down! Once you start reading it you won't be able to stop until you're finished!

Definitely recommended, and if you read it you will never visit the Big Bear area again without looking over your shoulder...

I REALLY LIKE THIS ONE 
(Five stars)

Great read... So different I couldn't put it down... I didn't want it to end... Love the characters and the writing was impeccable... Highly recommend.

A SMALL TOWN LEGEND FIT FOR THE BIG SCREEN 
(Five stars)

This was a great read! The author leaves just enough hints about other forces that could be at work to keep you guessing as to what is causing all this turmoil.

HORROR IN BIG BEAR 
(Four stars)

This book is interesting, it held my attention. I looked forward to getting back to it when I had to put it down. Yeah, it's a good read.
 The scariest movie you'll never see.
Images courtesy of "The Black Album"

POSSESSION SCENE TOO REAL

A filmmaker set out to make a horror film. Strange things happened.

Here is some more lost footage from THE BLACK ALBUM... the scariest film you'll never see.

VIDEO FROM THE SCARIEST MOVIE YOU'LL NEVER SEE

A filmmaker set out to make a horror film. Strange things happened.
Here is the link to the opening sequence from THE BLACK ALBUM... the scariest movie you'll never see. Is it cursed? You decide.
More scenes to come.
Play it backwards.
Images from "The Black Album."

ANOTHER EXCERPT

I'm not going to lie, I've been busy working on my Cold War spy novel every chance I get. Time management is a bitch. 

However, I'm not going to neglect The Black Album.

I can't.

It won't let me.

EXCERPT FROM THE NOVEL
"Are you sure you want to finish the movie?"
 
Loveless put down the shotgun and closed the gap, resting his hands tenderly on Charlotte's shoulders. He would have to be the strong one here. He would have to lie to her and himself, at least pretend that it was alright. Hell, maybe it even would be. "We see it through, to completion. That's the deal. Right? This is our investment. Our stake. Our future."
 
"If we're still alive to capitalize on it, J.D." Charlotte looked deeply into the filmmaker's eyes, searching for any signs of uncertainty in them. "I don't want to become an urban legend. I don't want you, me or my daughter to be a cautionary tale they tell around a campfire to scare the hell out of misbehaving children."
 
"We won't."
 
"How do you know?"
 
Loveless opened his mouth, not sure what answer, if any, he had for her, when he was interrupted by Lizzy's disconcerting little girl giggle. "Marshmallows go good with campfires. You know that?" The teenager frowned slightly as she looked deep into the fire. "You just have to be sure not to burn your mouth. And you can't listen when they say things to you. Crackle and pop. Marshmallows always say things to you. They say bad things when they think you're not listening."

Zombie rising.
Images courtesy of "The Black Album"

EXCERPT

Here's an excerpt from the book where, after months apart, J.D. Loveless is trying to find his lost love Charlotte Rae. Hope you enjoy:
"Hello?" Beauregard said groggily, squinting at the cell phone display, trying to make sense of the time. It was 3:37am.
 
"Where is she?" It was Loveless.
 
The journalist recognized the voice instantly. He sat up. This review was not quite over.
 
"Loveless, that you?"
 
"Where's Charlotte Rae? You said you interviewed her. You have an address on her?"
 
"Yeah. Hold on a second. Lemme find my notes." The journalist fumbled around for a moment before finding his agenda book. He rattled off the Los Angeles address to the filmmaker. "Are you alright, J.D.?"
 
"Gotta go. I've got a long drive ahead of me," was all Loveless said. Then he added, "Thanks, Beauregard. Good luck on the radio show."
 
Beauregard was going to say something, but Loveless had already hung up. The journalist decided that the tenor he had detected in the filmmaker's voice was optimism. He laid back in bed in the dark, phone on his chest. After several minutes, a smile spread across the Freak King's face. 
 
Beauregard fell asleep smiling. 
 
That night, for once, he didn't have a single nightmare. 

Grace fights possession.
Images courtesy of "The Black Album"

THE WHY OF MY LIFE

I'm going to do something a little different in this post. Today I'm feeling uncharacteristically sentimental... and patriotic. 

My good friend Beauregard Freidkin told me that if I want people to find and embrace my universe of characters and creations, they are going to have to know who I am. This is hard for me. I'm a private person. I like to stay behind the scenes. "Pay no attention to that man behind the curtain. I am the great and powerful Oz."

I once read a proverb that said, "If a person knows the why of his life, he will understand why he has done all the things he has done and all the things he is doing." Okay, I just made that up. But that doesn't make the truth of the thing any less.

Why? Why have I done the things I have done in my life?

First, I will have to give you a little background on me. ONE: I am African American (more on that in a minute). TWO: I was born in one of the most dangerous ghettos in Brooklyn. In this age of gentrification, you might be saying Brooklyn's not dangerous. But believe me, the Brooklyn I knew was ultra-violent with vast wastelands of debris. Most of the World War II movies you'll see from the 70s and 80s where tanks are rolling through bombed out areas of Europe, were filmed in Brooklyn or the Bronx.

I was also born in 1962, when American was segrated and Black Americans did not have civil rights. The 1960s was the landmark battlefield decade where full civil rights was finally achieved (at least on paper in 1968). It may seem odd now, but my friends and I considered ourselves revolutionaries and rebels, born in the cracks of the American dream, fighting against the system (the man). My older sister knew members of the Black Panther Party. My parents marched with King.

As a child I suffered from chronic insomnia. Up most nights, I was introduced to the late show on TV. That's where I discovered cinema: Humphrey Bogart, Orson Wells, Hitchcock, Cagney. This planted the first seed in my head regarding Hollywood. 

I also grew up in a world of comic book superheroes and Hong Kong martial arts films. Ahh... now we are starting to get to the why. The overriding themes in comic books and martial arts films is that the hero achieves empowerment through powers or intense training. Another seed is planted.

My insomnia is finally cured when I discovered gymnastics. This was my empowerment. My superpower, my martial arts. For high school, I was zoned to take the public bus to the Jewish and Italian part of town. At age fifteen, lost in a new school, I accidentally opened up a door to the gym during gymnastics practice. And that was it. I was hooked. I worked out at school and traveled to every open workout gym in the five boroughs from the Flatbush YMCA to Roberto Clemente State Park in the South Bronx. For two bucks, I got to work out on broken down equipment without benefit of a coach.

I was also heavily into acrobatic Break Dancing during the birth of Hip Hop in NYC. Our dance battles were something straight out of a Kung Fu movie.

But gymnastics was my true love.

That's when people started telling me I can't. I was fifteen starting a very difficult sport. And it may seem funny now, but I swore I was going to the Olympics. By the time I graduated high school, I realized I wasn't going to make the Olympics. My high school coach got me an offer for a half scholarship to a college gymnastics team, but I turned it down. If I couldn't be the best, I didn't want to do it. So, I put away my grips and went to Brooklyn College. 

But after a few months, I started getting the itch again. I began training harder than ever. It was around that time that a friend of mine told me he was going up to a gymnastics camp in Pennsylvania for a week. I decided to go with him. Up there, I was recruited as a parallel bar specialist for a college gymnastics team. The owner of the camp International Gymnastics was also coach of the local college gymnastics team at East Stroudsburg University. I got to train up there the whole summer.

Then I started school there. I never went back home, except to visit.

This was also the summer of 1980. That was the year the president of the United States boycotted the Olympics in Moscow. The Olympic team landed at my coaches camp. I trained alongside of Olympic gymnasts and Olympic coaches. For a club gymnast from Brooklyn to all of a sudden be training with the top gymnasts in the world was like something out of a Rocky movie.

I didn't become an Olympian. But my gymnastics reached a high level of personal achievement and got me a university education.

Afterwards, when I wanted to move to Los Angeles and become a stuntman, people started telling me I couldn't. I did! Me and my gymnastics buddies from Brooklyn had been doing acrobatic martial arts fight scenes for fun ever since I could remember. But I never thought I would get paid to do the exact same thing for motion pictures. I had been tricking and free running decades before either existed.  

I even began coordinating and second unit directing, when I realized it was time to segue into my true passion and become a writer (I was a literary major and journalism minor in college).

As a writer here in Hollywood, I have had a lot of doors slammed in my face despite the fact I have the talent to be here. I'm not connected. I don't fit the stereotype of what a writer should look like. I'm not a bullshit artist. And I don't kiss ass.

Gatekeepers have kept me from reaching the audience I know is out there for my creations. 

But a new world is opening up here on the Internet. A world where artists can bypass gatekeepers and go straight to the audience, who will decide if they like them or not.

This is now my world. When I was watching the late show back in the 70s, there were few Black faces. And in 2013 American films, not all that much has changed.

My creations will speak to diverse demographics.

I reached much farther than my humble beginnings. In my neighborhood, you were a success if you didn't end up in jail and had a job. I have outlived most people I grew up with in that world. Many are dead, in prison, or so strung out on drugs they look like something out of "The Walking Dead."

But me... I'm still standing. And I have a hell of a lot of creating to do.

American is a flawed place. There is no promise of success. But there is the possibility. America is a land of possibilities. For everyone! Some just have to work harder than others.
SINcerely yours,
Carlton Kenneth Holder
Zombie Parade
Images courtesy of "The Black Album

TIMELINE NUMBER FOUR

A filmmaker set out to make a film. Strange things happened.
September 28th
The day before shooting begins. Everyone arrived from Los Angeles pretty much on time: the three actors and the director of photography. We got everyone situated in the house we rented for them and brought them dinner. We had also stocked the refrigerator there, so everyone was happy. Even our actor playing the Demon Jeremy, who was a vegan.
That night we took our cast and local crew to the Strawberry Lodge, our main location. for a walk through to discuss where we would be shooting particular scenes at in the house.

We even pre-lit the upstairs den where we would be shooting our first scene tomorrow between Grace and her sister Katie.
The house took on a much more ominous appearance at night, which everyone commented on. The animal heads on the wall almost seemed like they were looking at us.
We decided to get some exterior shots of the house at night as well. I had bought a cheap jib arm from Promax for our HD camera. We put the camera on the jib, weighted it down and took a shot where the camera rises slowly from behind a fence, revealing the house in all its horrible glory.
A redneck neighbor walked over from about a mile away. So much for being low-key. He was a nice enough fellow. I told him what the movie was about. "You know, Satanic worship in the woods of a rural community. Made up stuff." He repeated my words: "Made up stuff."
As we were wrapping up, a couple of bikers started riding by. Now, these weren't yuppie weekend warrior LA bikers. These were real deal outlaw bikers. Nazi helmets, long beards, tattoos. One was belligerent as he asked us what we were doing. I patiently answered his questions. A few moments later, they drove off in a swirl of dirt. I noticed a tattoo of the Devil on one of the biker's arms as they left. This wasn't the cute little devil tattoo a coed might get one drunken evening in Cabo. This tattoo was a very serious and sober depiction of Satan.
The hick neighbor bid us goodbye as he left. Behind me I heard him echo, "Satanic worship... Made up stuff." 
It was late, so we all decided to spend the night at the house. In retrospect, that didn't turn out to be such a good idea.
TO BE CONTINUED
The Demon Jeremy.
Footage courtesy of "The Black Album"

INTERVIEW WITH A FREAK KING

By Beauregard Freidkin
(Freidkin is a journalist self-described as equal parts Fox Mulder and Hunter S. Thompson, although some say Van Wilder. He will be the host of upcoming radio talk show "The Midnite Review," where he will discuss unexplained phenomenon and play loud rock music)



BF, "I'm here with my guest and colleague Carlton Kenneth Holder. Formerly a journalist, Carlton traveled to Belfast to interview the IRA, Central Mexico to write about the drug trade and the Netherlands to research the World War II bombings of Belgium by the infamous Nazi Vengeance rockets. Carlton is also a Hollywood screenwriter and has had more than ten scripts he has written hit the big screen."

CKH, "More like the video store shelves." (laughter)

BF, "We are here to discuss Carlton's first novel "THE BLACK ALBUM: A Hollywood Horror Story," a thriller based on true events. The story follows a filmmaker and his starlet as they try to make a movie that is by all accounts cursed. First off, Carlton, how much of this is true and how much is fiction?"

CKH, "I see. You're going to put me on the spot right at the beginning. Well... first and foremost, my goal with the novel was to entertain. But... if I had to give you a percentile, I'd say seventy percent of the events in the story did occur. And, you'd be surprised. Some of the things most people will think I made up, actually happened."

BF, "The werewolves?"

CKH, "Yup. At the very least, they suffered from clinical Lycanthropy. Although the rapid growth of hair on their bodies was a physical manifestation. So, you tell me."

BF, "I find that amazing. In the novel's prologue you even included me having a fictional interview with the novel's hero J.D. Loveless. Are you J.D. Loveless?"

CKH, "I guess I am, more or less."

BF, "And you actually filmed a movie called "The Black Album" in California, up in Lake Arrowhead and the surrounding mountain townships?"

CKH, "Yes."

BF, "Is the film cursed as you alluded in the novel?"

CKH, "Sounds kind of silly when you say it out-loud like that, in the light of day. (pause) I will go on record to say this, things happened during the filming that I can't explain... there was a cult presence in those mountains... and events did occur that were beyond the scope of what we perceive as normal."

BF, "In other words, the paranormal. (pause) One of the things that surprised me was that the book also had a romantic element between the filmmaker and his starlet Charlotte Rae. Would you care to address that?"

CKH, "No comment." (laughter)

BF, "I loved all the references and nods to classic horror movies of the past. Was that intentional from the outset?"

CKH, "I grew up watching Carpenter and Romero, reading King. I have a great reverence for fantastic fiction, as I like to call it. I wanted the book to have a very pop culture feel to it."

BF, "I know you had completed a rough cut of the movie before you abandoned the project. Do you have any plans to finish "The Black Album" now and release it?"

CKH, "Some things are best left unfinished. I have not been back to those mountains since. (beat) No. I do not have any plans to finish the movie."

BF, "I thoroughly enjoyed the book and recommend it to others, especially those interested in horror, suspense, and the supernatural."

CKH, "Thank you, Beauregard. It means a lot coming from a man of your background."

BF, "You're welcome, Carlton."

FOR MORE INFO, SEE MY WEBSITE: http://brooklynapachepress.com/

THE BOOK IS AVAILABLE AT: http://www.amazon.com/dp/B00DQ3FFX0
The scariest movie you''ll never see.
Images courtesy of "The Black Album"

RANDOM EXCERPTS

A filmmaker set out to make a film. Strange things happened.
Here are some random quotes and lines from "THE BLACK ALBUM: A Hollywood Horror Story."


It had been a very long time since Loveless could remember seeing anyone hitchhiking, at least not anyone who wasn't an aged hippie relic from a long dead peace movement or a crack whore looking for a totally different type of ride.  
What was it about rural area teenagers and Satanic worship that went hand in hand so wonderfully? The cities had street gangs, extended families. The woods had Satan, the ultimate father figure, who would never disappoint because he so blatantly embraced evil, chaos, and perversion.
The little girl looked lost. Her face was sad, sad for Henry. The lost girl was pale, like a corpse. Or a ghost.
"Are you lost?" Henry asked.
"Aren't we all?" the lost girl answered.
"None of this is real. You're not real."
"I used to be."
"Used to be?"
"Why'd you bring him back?" the lost girl asked hopelessly through bloodless lips.
Henry felt the possession. He felt his soul slipping away. If he couldn't have his body, nobody would. The boy put the gun to his head and lifted his mournful and repentant face heavenward. "Fight the Devil!" The muzzle flash lit up the night. The gunshot had a ghastly echo.
 
The evil crawled back down into Hell.
 
At least for another year.
 
The scariest movie you'll never see!
Images courtesy of "The Black Album"
 

TIMELINE: FROM MOVIE TO NOVEL

A Filmmaker set out to make a horror movie. Strange things happened.
September 17th
Through an ad we placed in the local newspaper, we've cast most of the smaller roles. These are mostly inexperienced actors, but they fit the characters we've cast them as.
September 18th
We've been receiving weird phone calls. When we answer, the person on the other end hangs up. We know there is a person on the other end because we can hear breathing.
While out later that night picking up groceries, the fog became so thick, Sharlene couldn't drive. She pulled off to the side and let me take over.  I couldn't see three feet in front of me. I'm going to have o invest in fog lights.
September 21st
The Los Angeles casting went great. We posted our ad in Backstage West. We were casting for the heroine's sister Kaitlyn, the love interest Darryl, and for the role of the antagonist: the DEMON JEREMY. We were very happy with our choices. The actor playing our demon rocker once played Charlie Manson in an NBC MOW about the Beach Boys.
September 24th
We placed an ad for a music composer. I wanted someone on the mountain so I wouldn't have to schlep back and forth to LA to edit scenes to music. Disappointingly, we only received two submissions: one from a music student down the mountain in San Bernardino (I immediately rejected that one) and one from a man named Jerry up on the mountain. We arranged to meet Jerry at his house. He lived in Crestline, but it was off the beaten path. It was in the boondocks, if you're familiar with that expression. Sharlene came with me. She nervously joked that we were in Ed Gein country. I didn't disagree with her. The house was rambling and rundown. Jerry was one of the most bizarre individuals I had ever met. His wife Angel was even stranger. While we were there, she placed a kitten's head in her mouth. I thought for sure she was going to bite it off. Thankfully - and to Sharlene's major relief - she didn't. Jerry was strange, but his music was brilliant. What the hell was he doing on this mountain? Jerry maintained that he suffered form the disease of Lycanthropy (the werewolf curse), which he had unintentionally passed to Angel through sexual intercourse. Who knEw the werewolf curse was an STD?  Despite this, we not only hired him as the music composer for the film, but also its special FX artist. According to Jerry, he helped with SFX for some of the PHANTASM movies (I loved those crazy cult films). On the way out, we met his landlord Della, a heavyset Native American woman and her thuggish brothers. They had the feel of grifter gypsies. Della gave Sharlene and I each a bracelet made with wolfsbane.

Our house sat at the bottom of a hill. We have to take a long flight of wooden stairs down the side of the hill to get to our house. Behind us is nothing but thick forest. That night, we were kept awake by a chorus of coyotes on a nearby hill, baying at the moon. There must have been thirty of them.

TO BE CONTINUED
 
Images courtesy of "The Black Album"
The scariest movie you'll never see!
 
 
 
 
 
 
 
 
 

EXCERPT FROM BOOK

A filmmaker set out to make a horror movie. Strange things happened.

Here is a pivotal moment in the book, where the filmmaker J.D. Loveless and his actress Charlotte Rae are in LA screening an unfinished version of the movie for an independent movie distributor named Bob and his young wife and business partner Shatari.
Check out what happens.

EXCERPT:

When the movie reached the crucial point where Charlotte's character played the record backwards and the unholy lyrics began to issue forth with an otherworldly echo effect, Shatari's nose began to bleed.

"Oh," the Hindu woman said in mild surprise as she cupped the blood that was running out of her nose. Seconds later, it began to gush out.

"Shatari? Shatari, are you alright?" Bob was alarmed.

The woman was nodding as she got up and rushed out to a nearby restroom. Bob excused himself and went off after her. The technician pressed pause on the movie. Loveless, Charlotte, and the tech sat there uncomfortably. They heard muffled sounds of arguing. Two minutes later, Bob came back into the room.

"Her nose just won't stop bleeding. She's losing a lot of blood. I'm going to take her to the emergency room."

"Jesus! Has anything like this ever happened before?" Loveless asked as he got up.

"Never." Bob seemed weirded out.

"Is there anything we can do?" Charlotte asked with genuine concern.

"No. No. We're gonna have to postpone seeing the rest of the movie."

Shatari came back into the room. She had a white towel to her nose. The towel was a sopping crimson. In her eyes was a look, a look of accusation when she looked at Loveless and Charlotte. She said something in Hindi that no one else in the room understood. The Hindu culture was very old. As old as any. They had a history with magic, the supernatural.

"Don't worry. We can come back. You can look at the movie later." Loveless smiled.

Shatari's eyes flashed. In them was loathing and hatred. The Hindu woman tried to bury these feelings, but she couldn't. While Loveless had missed it, the actress had not. Charlotte saw the emotions. There would be no deal with these distributors. The woman was spooked and her husband was going to do whatever his trophy wife said.

Images from the scariest movie you'll never see.
Images courtesy of "The Black Album"

Hope you enjoyed the excerpt.

SINcerely   yours,
Carlton Kenneth Holder

WAS THE MOVIE CURSED?

Someone asked me an interesting question the other day: Did I really believe the movie was cursed?
I mean... it made a good scary novel. But did I really believe "The Black Album" was a cursed film. And I mean like "Poltergeist" cursed!
I've been thinking about that question ever since. I mean I am an avid horror fan. My addiction is so deep that after watching an episode of "The Walking Dead" last night, I had nightmares about fighting in the zombie apocalypse and actually enjoyed my dreams (I was racking up quite the body count).
I'm sure somewhere deep down in the DNA of any male still packing even an ounce of testosterone, is the desire for a zombie apocalypse. Come on, you know it's true. Endless killing of the living dead!
Still? Do I believe in this stuff? I love horror films. But do I believe in them? More importantly, do I believe that my film was cursed.
"Texas Chainsaw Massacre," "Amityville Horror," "The Excorist," "Hills Have Eyes," "The Serpent and the Rainbow" and "The Mothman Prophecies" were supposed to be based on true stories. Some more, some less.
I know - as I have said before - there was an occult presence on that mountain. Something in the backwoods and something having to do with the drug-fueled teen populace. There were death threats. There were bizarre incidences. There was even a death. 
Unlike the novel though, in real life the filmmaker and his actress didn't stick around for the blizzard that hit the mountain. The grand finale. We narrowly escaped. I had just received a pretty decent size writer residual, so we road out the storm in Temecula, in - of all places - Pechanga Resort & Casino. Hell, I even won a few bucks.
We never really returned to the mountain. We came back quietly, packed up our stuff and got the hell out of there for good!
Do I believe the film was cursed? Weird incidents plagued me until I decided not to finish the film. 
When I stopped, it stopped. 
What do you think?
  SINcerely yours,
Carlton Kenneth Holder
 
 Grace finds the album
Footage courtesy of "The Black Album"
 
 
 

NOW AVAILABLE AT BARNES & NOBLE

Amazon just let me know that the paperback version of my book is now available through Barnes & Noble.

http://www.barnesandnoble.com/w/the-black-album-carlton-kenneth-holder/1117208777?ean=9781492805120

As well as through Amazon in paperback and ebook versions.

http://www.amazon.com/THE-BLACK-ALBUM-Hollywood-Horror/dp/1492805122/ref=tmm_pap_title_0


It's nice to know that my fledgling publishing company BROOKLYN APACHE PRESS, a company dedicated to creating brands in the realms of horror, science fiction, fantasy, and adventure for a racially and culturally diverse audience that more accurately reflects the ethnic complexion of America, has partnerships with trendsetting companies like Kindle and Createspace.

Thank you Amazon!

SINcerely yours,
Carlton Kenneth Holder

BOOK COVER

Check out the new book cover for "The Black Album: A Hollywood Horror Story."





I get goosebumps just looking at it.

INSPIRED BY TRUE EVENTS

Five years ago a filmmaker set out to make a film.

Bad things happened.

The movie was never finished.

Many believe the film to be cursed.

The filmmaker wrote a book about his exploits. The filmmaker wrote a book about his exploits. This is his timeline.

August 28th


I finished the screenplay to my companion's relief. I was working on it day and night, pretty much to the exclusion of all else. It's funny how this mountain has inspired me. At an elevation of over 5,000 feet, it is practically a world unto it's own. 


Over the mountain's edge, I can see the pollution down below. What we had been breathing. 


The kids here look like they are straight out of the 70s. Long hair, band patches. An acceptable mode of transportation on the mountain for its teen populace is hitchhking. 


September 3rd

Sharlene finally read the script. She loved it. I wrote the lead role for her. She is a very good actress and has a great business mind. By the time she finished the script, she had already figured out many of the smaller cast roles and possible locations for us to shoot at on the mountain for free or very cheap.


September 10th

I found my director of photography: Matt Fore. He can shoot both artistically and quickly. We are going to have to bring him up from LA. We are also going to cast three of our main roles there, so we will have to house four people throughout the shoot.


September 13th

Sharlene and I check out the house we are going to use as the main location. She negotiated a great deal for it. It is huge and scary. The house is like something right out of the Texas Chainsaw Massacre. It has a real creep factor. Mounted animal heads hang on the walls. The floors are cherry red wood. There is an upstairs and a downstairs with six bedrooms. 


While doing test shooting with Sharlene's two teen daughters and a few of their friends who are playing small roles in our film, the kids reported seeing the ghost of a little boy. I searched the house but found no one. On a back porch - one of the places the teens said they had seen the little boy - I found a marijuana joint. I didn't tell Sharlene.


TO BE CONTINUED




Henry kills himself to fight possession.
Images courtesy of "The Black Album"